Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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John Frederick Lewis
A hat in the desert

ID: 32778

John Frederick Lewis A hat in the desert
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John Frederick Lewis A hat in the desert


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John Frederick Lewis

1805-1876 British John Frederick Lewis Gallery John Frederick Lewis (July 14, 1805 ?C August 15, 1876) was an Orientalist English painter. He specialized in Oriental and Mediterranean scenes and often worked in exquisitely detailed watercolour. He was the son of Frederick Christian Lewis (1779-1856), engraver and landscape-painter. Lewis lived in Spain between 1832 and 1834. He lived in Cairo between 1841 and 1850, where he made numerous sketches that he turned into paintings even after his return to England in 1851. He lived in Walton-on-Thames until his death. Lewis became an Associate of the Royal Academy (ARA) in 1859 and a member (an RA) in 1865. After being largely forgotten for decades, he became extremely fashionable, and expensive, from the 1970s and good works now fetch prices into the millions of dollars or pounds at auction.  Related Paintings of John Frederick Lewis :. | The midday meal | In the Bey's Garden Asia Minor (mk32) | The Hosh (Courtyard) of the House of the Coptic Patriarch Cairo (mk32) | The Siesta | Piscator look you now,you see him plain bring hither the landing net a good one,sixteen inches long See lzaak Walton (mk47) |
Related Artists:
Johann Carl Wilck
Johann Carl Wilck (1772 - 1819)
Page, Marie Danforth
American, 1869-1940
Alessandro Botticelli
Florence ca.1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d'Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli's reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm;






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